the sun is down

“Is that gash in your leg
Really why you have stopped?
‘Cause I’ve noticed all the others
Though they’re gashed, they’re still going
‘Cause I feel like the real reason
That you’re quitting, that you’re admitting
That you’ve lost all the will to battle on

Will the fight for our sanity
Be the fight of our lives?
Now that we’ve lost all the reasons
That we thought that we had

Still the battle that we’re in
Rages on till the end
With explosions, wounds are open
Sights and smells, eyes and noses
But the thought that went unspoken
Was understanding that you’re broken
Still the last volunteer battles on.”

Just some thoughts on christmas. Nothing new to some people probably:

The connection of christmas with winter solstice isn’t random. The winter solstice is the death of the sun–the darkest day of the year. Solstice markings through the ages must then have been full of mourning and fear, but combined with hope– hope for the birth of a new sun, hope that the world would not simply end in darkness and apocalypse, that spring would return, and that circles are at the core of things. To get ChristinChristmasy on you, the birth of a ‘divine son’ to ‘Mary’ in the dark days of Roman occupation fits very well into this motif (and is perhaps not an evil myth addition, I think). Chesterton and Lewis spoke well on this. Never sure if I agree with them (they are too attractive to me), but there are moments.

‘The Lion, The Witch, and the Wardrobe’ is about a place stuck in Winter, in fear, and in mourning (and also in surveillance and suspicion–it is during WWII after all). And it is the animals (Beavers) who have stubborn hope, and the youngest (Lucy) who have imaginative joy that can be used as a method for representing and struggling with dark things.

The Pevensie children play a game while a war is going on. They are hidden away from it by their parents, and they mimic this hiding in their games. Lucy goes to the darkest of places, the inside of a wardrobe, which turns out not to be so dark after all. But actually, it is. Hope, warmth, and cheer, in the form of Tumnus, betray. And the Nagasakian Narnia is perhaps a different place than the Londoner’s. (and also, screw you Walden Media, for the filth you have purveyed, and you, Harper-Collins, for the mis-ordering)

Christmas is a difficult time for many. Not only is it filled with idiotic, gluttonous, consumerism and world-choking synthetic polymers, but one is supposed to feel joy, or hope (And of course the nostalgia ((painful homecoming)) cuts both ways). Traditions can be helpful, but they can be difficult when one feels one should be a certain way because ‘it has everso been before’. (Also, if your tradition is in the minority -Hello Maccabees!-, that’s also a problem)

And if one does not want the sun to return? If one’s sunshine was taken away? What then? If the sun returns, as Tradition hopes it will, it will not be the sun I want. It will not be the son I dreamed I held in my arms.

In Memory of Xavier Sprout O’Keefe

Posted in Uncategorized, life, myth | Tagged , , , , , | 2 Comments

Remember that Daedalus was an Architect

superflat-monogram-takashi-murakami

superflat-monogram-takashi-murakami

This is a reflection on Leander and McKim’s “Tracing the Everyday ‘Sitings’ of Adolescents on the Internet: a strategic adaptation of ethnography across online and offline spaces”. You can find the article here.

I liked the article, although their description of methodologies was, as they put it, “imaginative”, or as I put it, “vague, but very interesting”. Also, I wonder about their theory of metaphor, and whether or not it jibes with Lakoff et. al.. Not that it has too, of course.

So my reflection on L+M’s take on ‘net-walking’ has to be a posting of the following video. It just has to. The video is mine. I haven’t spent much time publicly analyzing this video, but I’ll partially do so now, just in terms of specifying a few themes, and by the simple act of placing it next to Leander and McKim’s article.

The video originated from an essay about Fritz Lang’s ‘Metropolis’ and Walter Benjamin’s “Art in the Age of Mechanical Reproduction” for my class with Frank Moretti and Ruth Palmer in the spring. Some of the themes are Persuasion, Net-walking (in a non-binary light a la and not-a-la Leander + McKim), Recording and Editing, Programming, Surveillance, Mimicry, Future Art and Recapitulation.

Attend, Attend! This is not a Fail Video, nor is meant to trap your attention via music or cartoon characters! We simply must concentrate! Although…
Bloogleday

(If you happen to have flashblock as a firefox plugin, if you happen to use firefox, you must disable it. Even if you tell flashblock it’s ok, it still won’t play. It’s weird. So either disable flashblock and restart FF, or go to the link on Vimeo.

What happens when the net is the world and the world is the net (simplistic I know) and we allow ourselves to amble, like Benjamin, but aided by powerful, networked, programmed recording and editing devices? And specifically with regard to Leander and McKim, what metaphors are at work here? If you’ve watched carefully, or even looked carefully at the title, one can see that there are pretty deep connections to Joyce’s Ulysses (no I’m not claiming genius, I’ve just made some connections). My current L+M-based question, I guess, is, “In what ways is metaphor functioning in the net-walking that is the video, and how would a Leander +McKim-influenced ethnography account for it?”.

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Relational or Causal Hypothesis? – Matei and Rokeach

In Matei and Ball-Rokeach’s “Belonging in Geographical, Ethnic, and Internet Spaces” (2002), which I liked, I am most struck at the end by my confusion over tension between the explicit and implicit nature of their hypothesis. Is it relational or causal? At the beginning, they state a relationship. At the end, they (implicitly, but clearly) describe causation. Here’s the hypothesis:

“The higher the level of belonging to local community, the higher the likelihood of making new personal bonds online.”

When I first read this, I could think of several counter-examples, such as the (mythical) shut-in types, who have deep, intricate, and rewarding ‘social’ lives in the online world, not necessarily predicated upon their ‘local community’ ties, and perhaps in reaction to a lack of them. But then I thought, well if the hypothesis is simply relational, then counterexamples, colored by causal reasoning, aren’t really that helpful. If you’re not claiming that A produces B, then me showing you instances of B sans pre-cursor A don’t do much. Because you’re not claiming causation. Oh, but what if you are? Snap. Later, the authors certainly seem to do this.

In their Discussions and Conclusions, they say the following:

“…we propose that a higher level of belonging to real communities TRANSLATES into a higher propensity for interaction online. The inclination to form and maintain lasting ties on or offline DERIVES from social and cultural resources and the proclivities of people acting in context of their real communities, rather than from characteristics of the medium, per se.” (my emphasis)

And also, as their finale,

“…unless social connections online are supported by pre-existing social and cultural networks offline, their long-term prospects are probably not that great.”

So here is my challenge to you, Superfriends. Can we please have some studies that include reference to the Legion Of Doom, Phrack, 2600, the Free Software Foundation, GNU, etc..? I know they are out there, I just don’t understand why organizations/communities like these aren’t blazing counter-examples against the type of (implicit) causal hypotheses that these authors claim to have proven. Perhaps because the idea of “pre-existing social and cultural networks offline” can be expanded in a vague manner to include almost everything under the sun that might affect how peope behave online?

And here is my other challenge to you, Superfriends.

Posted in 4020, HCI, Uncategorized | Tagged , , , , , , , | 2 Comments

Nothing Gold can Stay

For my 4020 class: (all others are outsiders. sorry.)
muslim-american
sheik-on-hogan
This is the 4th session! There are many more!
Time to experiment and test assumptions about others over time through knowledge-generating strategies, and anticip8te future interaction!

Qs r filtered owt!
AlhowiHg concentr8shun on those that rnt!

|)0 _|00 |>|-|33l L1|<3 1 |)0?

or

|)0 j00 |=33L L1|<3 1 |)0?

or

d0 J00 f33L L1K3 1 D0?

or do you just not appreciate Peter Frampton?
And how did the above make u feel about M3?

This is what I look like:
emmanuel_goldstein

And I also look like this:
teapartyraceass

1 D4RE U 70 k0MMeN7. 1 PWN U.
n0 pHL4M1n’ 4ll0WeD.

Feel like an outsider? Learn to fake it. But 7\-\5Y will find out. 7\-\5Y \-\4V3 W/\75 04 W/\|<1ZG U TAL|<.

biblio:
Walther – Computer Mediated Communication, 1996
Bayn – Interpersonal Life Online, 2006

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‘information society’ — dependent upon understanding of sci/tech interdepence/definition?


In their article ‘The Social Construction of Facts and Artifacts: Or How the Sociology of Science and Technology Might Benefit Each Other’, Pinch and Bijker highlight the problematic nature of the description of the Science-Technology relationship, especially those descriptions which are a priori.

They denigrate the common statement that science is about the ‘discovery of the truth’ and that technology is about the ‘application of the truth’, stating that the literature on the philosophy of technology is ‘rather disappointing’. They say that even when claims of interdependence have been posited, the interdependence has been ‘difficult to specify’. In Pinch and Bijker’s opinion, a sociological conception of the creation of science and technology would enable a clearer view of their interdependency.


The reason I bring this up is because of Frank Webster’s chapter, ‘The Information Society Revisited’, from the Handbook of New Media. I really liked this text, loved the desire for clarity.

Webster outlines five measures by which some have claimed to distinguish the ‘information society’, and then a sixth way. The five: ‘technological innovation and diffusion’, ‘occupational change’, ‘economic value’, ‘information flows’, and ‘the expansion of symbols and signs’. All of these ways, Webster says, ‘rely on quantitative assessments of a particular phenomenon to argue that its expansion has brought about a qualitatively different form of social organization.’ The sixth way, ‘theory as fulcrum’, ‘refers to changes in the ways in which life is now conducted because of information’, and is therefore not a quantitative measure and can then perhaps impact ‘qualitatively different forms of social organization’.

‘Bluntly, quantitative measures – simply more information – cannot of themselves identify a break with previous systems, while it is at least theoretically possible to regard small but decisive qualitative changes as marking a system break.’

Webster nearly ends with a challenge to those who blithely throw around the term ‘information’ and ‘theory’. Why should all the hard work of de Saussure, Chomsky, Barthes, Foucault, et al, et al, be ignored, he implies? Do we know what we mean by the two words? Shouldn’t we take seriously various intelligent criticisms of language and symbols made through the centuries, and quite vehemently in this past century? Aren’t these important political and sociological issues?

But then he doesn’t end with this challenge. For some reason, this ‘sixth way’ allows us to dispense with the need to ‘reflect on the meanings of the information so developed’. I am unclear as to why this is so. Moving on.

This here is why I mentioned Pinch and Bijker in the first place. This ‘sixth way’, where ‘theory’ is the fulcrum for organized community action, individual self-analysis, all sorts of things. Theories, in this century at least, are models, models of how the world might work, or ‘look’. It is certainly along the line of what one might call Science. And it is these theories that are now informing more and more of our decisions, and our technologies. If something about the relationship of Science and Technology is changing, if the movement is becoming more one-way (S–>T) or something, and if Science and Technology are sociological constructs, then something is qualitatively changing.

But then Webster asks the (‘key’) question that he claims Gidden’s begs– “What do commentators mean by theoretical knowledge?” And is this not similar to the question that Pinch and Bijker pose– ‘How do we begin to analyse the interdependence of science and technology?’?

I’m still a bit unclear as to what I’ve said, and it’s kind of late in the pm for my critical functions. But it seems to me like these two questions have a clear relationship, and that the problem is key. If you’ve read the pieces, do you think so? I’ve merely made a connection, not really analyzed the connection. Anybody?

And just because it’s late:

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remember remember the fifth of September?

Can anyone identify this monument? I wonder why not. (If you can, you are admirable, and somehow well taught in this regard. I couldn’t have identified it.)
haymarket

For a bit of a lesson (I read it this morning, but I know I read it in Zinn at one point as well), follow follow follow follow. Try to remember that time in September…
maypole

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In the Country of the Blind the One-Eyed Man ain’t Bing

(1st post from within context of 4020 w/ Dr. Kinzer.)blind-wellsThe lens through which you look at this ‘content’ is an electric, networked, programmed lens (even if you printed it). These natures affect the content.

The electric nature does not seem to do nearly so much as the networked and programmed natures, although the programmed/networked natures are of course dependent upon the electric foundation. Networks of electric force can of course be re-sequenced, but a brighter screen is an insignificant transformation when compared to the variations that can be induced through networking/programming (think light bulb dimmer switch versus a battle between the dimmer switch and a Kurzwellian Ourmind).

Once symbols, or meanings, enter the picture, such as beacon fires, the alphabet, morse code, nike-wallpaper, a program class or library, an operating system, once this has happened, lenses become significantly variable. There is an encoded beheld and a decoding beholder. I can’t appreciate Cervantes like Borges can, etc (if you follow the link, do a search for “flemish”). Human sight can’t appreciate Bat sonar, etc.. In similar fashion, Firefox sees differently than Explorer, which sees differently than Elinks, and Elinks sees differently than a text editor.

As we move towards web 4.etc, many lenses will be produced. These lenses will be to Firefox/Webkit as the nose of a dog is to the smelling organ of a rock.

So what is the content of this post? In one way, it is text (define, please). In another, it is HTML, in others, it is PHP, TCP/IP packets, bursts of electricity. Images, such as, randomly, this one,stallman are part of the content. But if you have images blocked are they part of the content? Do you change the content with your lens, or is the content available, and you just pick what you want? Are you reading this in a feed reader? Do you have NoScript installed? What about Karma Blocker? Are you blocking my blog monetization and my unnecessary drain on your processor resources? Do script blockers save the planet?

Questions about content and perceiver can of course be posed about many objects. Film for example. We don’t watch the actual film reel. That would be boring. It just sits there, in all it’s SirCumfNerential grandeur. We watch a projection of light through the spinning ordered reel. Now that’s a movie. But the level of complexity seems much greater when we talk about computers and computer observers (browsers, us, other computers).

I thought I’d also say a word about blog post goodness, as this was mentioned in class as well. Many blog posts nowadays end with invitations to comment, such as ‘What do you think?’. This is part of community creation and monetization, and also, really, SEO. On the SEO note, let me say that this post has not been optimized for search engines, only optimized for me and my audience in this moment (whatever that means). And it’s rhetoric is pretty flawed, I think, especially in the beginning, but at least it wasn’t digested by Mammon. Or should it have been? What do you think?

(I must take that back a bit. I have several programs set up to do a bit of SEO for me. Nothing fancy or smart, just some wordpress plugins. And I make sure title tags are all good. But the CONTENT itself (hm…) has not gone through the Moloch mill).american-panascope

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Reasonable Persuasion: teachers, poets, liars, and language

The following is an essay written for a class at Teachers College, with Robbie McClintock. The online residence of the class is here. It’s a great reading list. If you’d like to read this paper as it’s ‘meant’ to be read, please download the pdf. If you’d prefer to just read it as HTML, well I wish I could oblige, but running the pdftohtml command does not output what I’d like it to. Footnotes, biblio, etc. are all messed up so it’s not that easily readable. The pdf’s the point anyway, but I’d love to be able to go back and forth (so would my SEO consultant…).

Anyway, here’s the first section, stripped of some footnotes, etc. You might call it a teaser, and I guess you’d be right. Way to go.

Section 1:
I Know Not Seems

Different people come at different paces to an awareness of the possibility of deception in the World–some from very early on. This awareness can rise from different places. It can rise from a betrayal, a tumble, a prediction gone awry, the sun ‘rising’ and sharing its size with a foot (Heraclitus, fragment 61), a river seeming like itself(Heraclitus, fragment 55), a man escaping under both the belly of a sheep and the guise of a name that is no name (Odyssey, 9.360), the periodic slowing of the morning star, or the story of a cat in a box.(Schrodinger, 1934).

The trickster god revels in his thievery in many cultures: Loki, Anansi, Krishna. On Olympus the Greeks had Hermes, and not only him. Off of the mountain, they had Jason, Theseus, Odysseus, Autolycus, Themistocles, even Aesclapius (he didn’t get away with it), and Orpheus, who tried so hard but whose soporific, pathetique deception of Hades was eventually overturned by a deeper deception, one regarding death. And he was led in all of this by, of course, the trickster Hermes.

With such a pounding presentation of deception through the years, it perhaps seems natural that deception might become an object of thought. Somehow ‘seeming’ gets studied. And at some point words are seen as the signifiers they are. They are seen as possibly deceptive, not being themselves. Things may not be what they seem.

Heracleitus ‘said’ ‘Nature loves to hide itself’. If the Nature of things is hidden (e.g. agriculture, disease, strength or weakness of an enemy, invisible rocks that sink Athenian ships, pathways home to Ithaka), then our reactions to them, based on seeming, may not be appropriate. If what we consider to be the most important things are not what they seem (even our ideas of what the most important things are), then we act may wrongly in all that matters (again, even in deciding what matters).

But if tekne (craft) is ever to defeat tuche (luck), or if we are ever to discover whether or not it is good to attempt to conquer tuche, we had better get around to studying Seeming, how to recognize it, how to defeat it, how to throttle its growth. We had better somehow ‘know that we do not know’, but merely believe.

This is not an attempt to follow the ‘actual’ development of the study of seeming. It is only a sketch, to provide a sort of grounding, to at least some extent cultural, for the importance of deception in an analysis of Socrates’ censure of the poets in the Republic. And since persuasion is the cause of belief (One does not believe if one has not been persuaded (unless there are ‘hard-coded’ beliefs– not a trivial objection), the maker of the Seeming, we had better understand how it is that we are persuaded—how we come to believe things.

Section 2:
She Drugged the Wine

To read more, and more fully, download the pdf.

Posted in 4078, Education, film, myth | Tagged , , , , , , , , , , , , , , , , | 1 Comment

SEO, advertising, language, articles

I have both an academic interest in SEO, and a desire to engage in the practice.

I want to understand the present and future of how people make decisions, and how they become who they become. This has always had to do with public/cultural narrative, and clearly in the past several hundred years, especially the 20th century, public/cultural narrative and decision-making has been overwhelmingly influenced by advertising.

Advertising today means something different than it did in the time of the Madmen (as the show studiously recognizes). The search engine is the method that we more and more use to imbibe, interact with, and hopefully criticize media, branding, information, community, whatever. So the mechanism of how this information comes to us is awesomely powerful and very interesting. And what it may do to our language (along with all the other weird things digitization may do to our language LOL) is interesting as well, as well as what it may do to our minds.

Although I can follow algorithms to some extent, I’m not a specialist. I don’t work for anything close to Google. But I can learn about and interact with this mechanism by entering the industry of SEO (search engine optimization). I think it’s one of the most interesting fields there is right now. It’s always both reacting to and affecting search engine methods (although Google doesn’t always like to admit this, I think). It seems to be a pretty complex system.

On this note, I’ve been reading a lot of SEO articles lately, trying to get a handle on the industry. I’ve listed some articles below, with some commentary. They’re pretty well publicized and several months old, so these aren’t dynamo links or anything, but they are certainly helping me out.

  • Not From the Land of Unicorns
  • I came from the land of ‘A List Apart’ before entering SEO territory, from standards-based HTML/CSS. So the line I’d always kind of heard was ‘SEO is just good HTML’. Well, that’s partly true of course, but there’s lots more to it, and this article is pretty good at presenting an informed view about that.

  • Pitfalls of International SEO
  • This one talks about international dimensions I hadn’t thought of at all that much. And one could draw some interesting conclusion about the relationship between SEO, linguistics, dialect, which is also something in which I’m pretty interested.

  • Mobile Obsolescence?
  • This is a quick one that pretty much centers on the fact that mobile searchers are in a different context than desktop searchers, and therefore must be dealt with differently.

    Google Authority

    A satisfactory introduction to how google thinks about the trustworthiness and authority of sites. Which comes with this nifty mindmap. (You may want to download this one, as the shadowbox photoshowing script makes it difficult to see the lines in the mindmap). .

    P.S. — I hope to try hard to not make this blog into another one of those blogs that are just out there to get publicized, and either directly or indirectly monetized. This is my space, for thinking, publicly. If I need a space to make me money I will try hard to do that, but this ain’t it. Interested versus disinterested inquiry, no? We’ll see how well the attempt fares.

Posted in SEO | Tagged , , , , , , , , , | 1 Comment

music mix-indices

inthenightkitchenA mix for my math students, and for anybody else. All songs came from CD’s that I purchased full price, in person, from a shiny-toothed employee of a large record store. I even keep the cellophane wrapping and the stupid protective tape. here’s a picture of one of the cds for proof.
mix at mirror 1
mix at mirror 2
(These links will be dead in like a week, as I’m using one of those temporary file upload places.)

This is not a party mix, or a sleep mix. It is for citywalking and traintaking.

I decided against open standard .oggs because I think most of you will use a music player that doesn’t recognize them. So they are mp3s. boo.

finally figured out the problem I was having with the damn tags. Every time I would try to open the mix in Itunes things would go awry (I don’t use Itunes, I use cplay and mplayer). Turned out I was only editing the id3v1 tags, and the id3v2 tags were trumping them (in itunes, at least).

So I installed me some ‘id3v2‘. that’s the one for linux, and other unixs. it was letting me edit them from the command line, which is what I wanted (well, I wanted a curses interface because I am fearful, but the goal is cli). So I needed a script. Found a great one that worked first time from a ‘creaky joe’ on the murga-linux forum. It instantly filled in artist, album, track, and importantly, took the filename, stripped the extension, and made it the title. great.

now I can look into the script and see what made it happen. it’s pretty simple I think. here it is. I hope it helps some cli learner somewhere. GUI tag editors are stupid.

#!/bin/bash
#
# tag-mp3-id3v2.sh
#
# Tags every .mp3 in the current directory with the band and
# album names, and creates a song title by stripping
# the .mp3 extension from the file name.
#
# Use as follows: tag-mp3-id3v2.sh Artist Album
# (Make sure relevant Artist & Album are input to the script).
#
# Am using id3v2 Type 2 tags for everything EXCEPT Podcasts
# as my 1GB Sony NWD-B103 player can ONLY use id3v2 Type 1 tags.
#
# My 2GB Sansa Clip+, 30GB Creative Zen Vision M, and 4GB Philips GoGear are perfectly
# fine with Type 2 tags.
# XBMC is also perfectly fine with Type 2 tags (both on xbox XBMC and PC XBMC).
#
#

pdir=`pwd`
echo
echo "Current directory is '$pdir'"
echo

if [ $# -ne 2 ]
then
echo "Usage: $0
" >&2
echo "Make sure
equates to 'Artist'"
echo "Make sure
equates to 'Album'"
exit 1
fi

echo $1
echo $2
echo

fcount=0
for i in *.mp3; do
let fcount=fcount+1

SONG=`basename "$i" .mp3`
id3v2 -2 -T $fcount --album "$2" --artist "$1" --song "$SONG" "$i"
done

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