This is a reflection on Leander and McKim’s “Tracing the Everyday ‘Sitings’ of Adolescents on the Internet: a strategic adaptation of ethnography across online and offline spaces”. You can find the article here.
I liked the article, although their description of methodologies was, as they put it, “imaginative”, or as I put it, “vague, but very interesting”. Also, I wonder about their theory of metaphor, and whether or not it jibes with Lakoff et. al.. Not that it has too, of course.
So my reflection on L+M’s take on ‘net-walking’ has to be a posting of the following video. It just has to. The video is mine. I haven’t spent much time publicly analyzing this video, but I’ll partially do so now, just in terms of specifying a few themes, and by the simple act of placing it next to Leander and McKim’s article.
The video originated from an essay about Fritz Lang’s ‘Metropolis’ and Walter Benjamin’s “Art in the Age of Mechanical Reproduction” for my class with Frank Moretti and Ruth Palmer in the spring. Some of the themes are Persuasion, Net-walking (in a non-binary light a la and not-a-la Leander + McKim), Recording and Editing, Programming, Surveillance, Mimicry, Future Art and Recapitulation.
Attend, Attend! This is not a Fail Video, nor is meant to trap your attention via music or cartoon characters! We simply must concentrate! Although…
Bloogleday
(If you happen to have flashblock as a firefox plugin, if you happen to use firefox, you must disable it. Even if you tell flashblock it’s ok, it still won’t play. It’s weird. So either disable flashblock and restart FF, or go to the link on Vimeo.
What happens when the net is the world and the world is the net (simplistic I know) and we allow ourselves to amble, like Benjamin, but aided by powerful, networked, programmed recording and editing devices? And specifically with regard to Leander and McKim, what metaphors are at work here? If you’ve watched carefully, or even looked carefully at the title, one can see that there are pretty deep connections to Joyce’s Ulysses (no I’m not claiming genius, I’ve just made some connections). My current L+M-based question, I guess, is, “In what ways is metaphor functioning in the net-walking that is the video, and how would a Leander +McKim-influenced ethnography account for it?”.




















the sun is down
Just some thoughts on christmas. Nothing new to some people probably:
The connection of christmas with winter solstice isn’t random. The winter solstice is the death of the sun–the darkest day of the year. Solstice markings through the ages must then have been full of mourning and fear, but combined with hope– hope for the birth of a new sun, hope that the world would not simply end in darkness and apocalypse, that spring would return, and that circles are at the core of things. To get ChristinChristmasy on you, the birth of a ‘divine son’ to ‘Mary’ in the dark days of Roman occupation fits very well into this motif (and is perhaps not an evil myth addition, I think). Chesterton and Lewis spoke well on this. Never sure if I agree with them (they are too attractive to me), but there are moments.
‘The Lion, The Witch, and the Wardrobe’ is about a place stuck in Winter, in fear, and in mourning (and also in surveillance and suspicion–it is during WWII after all). And it is the animals (Beavers) who have stubborn hope, and the youngest (Lucy) who have imaginative joy that can be used as a method for representing and struggling with dark things.
The Pevensie children play a game while a war is going on. They are hidden away from it by their parents, and they mimic this hiding in their games. Lucy goes to the darkest of places, the inside of a wardrobe, which turns out not to be so dark after all. But actually, it is. Hope, warmth, and cheer, in the form of Tumnus, betray. And the Nagasakian Narnia is perhaps a different place than the Londoner’s. (and also, screw you Walden Media, for the filth you have purveyed, and you, Harper-Collins, for the mis-ordering)
Christmas is a difficult time for many. Not only is it filled with idiotic, gluttonous, consumerism and world-choking synthetic polymers, but one is supposed to feel joy, or hope (And of course the nostalgia ((painful homecoming)) cuts both ways). Traditions can be helpful, but they can be difficult when one feels one should be a certain way because ‘it has everso been before’. (Also, if your tradition is in the minority -Hello Maccabees!-, that’s also a problem)
And if one does not want the sun to return? If one’s sunshine was taken away? What then? If the sun returns, as Tradition hopes it will, it will not be the sun I want. It will not be the son I dreamed I held in my arms.
In Memory of Xavier Sprout O’Keefe
